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Ahead of the 100th birth anniversary of Dev Anand which falls on the 26th of September, the Film Heritage Foundation announces a unique festival titled 'Dev Anand@100 - Forever Young; that pays tribute to the timeless entertainment icon. The two-day weekend celebrations held jointly in association with NFDC-NFAI (National Film Development Corporation Of India- National Film Archive Of India) and PVR Inox will be conducted on the 23rd and 24th of September across 30 cities and 55 cinema halls all over India.
The not-for-profit organization founded by filmmaker and archivist Shivendra Singh Dungarpur has meticulously curated a tailored collection of films where audiences can spend the weekend with Dev Anand in his different memorable avatars as the romantic hero, the dashing spy and the fun-loving rogue.
Audiences in Mumbai, Pune, Goa, Ahmedabad, Hyderabad, Trivandrum, Chennai, Bangalore, Lucknow, Kolkata, Guwahati, Indore, Jaipur, Nagpur, Chandigarh, New Delhi, Gwalior, Rourkela, Raipur, Noida, Kochi, Aurangabad, Vadodara, Surat, Mohali amongst other cities will get an unmissable opportunity to watch these landmark films of the suave leading man restored by NFCDC-NFAI on the big screen: C. I. D. (1956), Guide (1965), Jewel Thief (1967) and Johny Mera Naam (1970).
Shivendra Singh Dungarpur, Filmmaker and Director, of the Film Heritage Foundation states, "After a successful run with ‘Bachchan Back To The Beginning’ and ‘Dilip Kumar – Hero Of Heroes’ to commemorate Amitabh Bachchan’s 80th birthday and Dilip Kumar’s birth centenary respectively, we knew that there was no way that we could allow the birth centenary of Dev Anand to go uncelebrated. We wanted to honour his legacy by screening four of his milestone films. The films are among my favourites as I consider Goldie Anand one of the most stylish directors of Indian cinema. The festival also marks an important collaboration between the Film Heritage Foundation and NFDC-NFAI who have restored the four films and partnered with us to enable us to showcase these films. The Gregory Peck of India, as Dev Anand was often called, continues to be a beloved star, and we are thrilled that contemporary audiences will have the opportunity to watch some of the films that made him an enduring legend of Indian cinema. This is another milestone in the Film Heritage Foundation’s journey to bring classics of Indian cinema to modern viewers because after all these films are a part of our history and culture and if we don’t know where we came from, we won’t know where we are going."
Suneil Anand states, "I’m pleased to hear that the Film Heritage Foundation is planning a film festival, on a large scale across India, to commemorate my father, the legendary Dev Anand’s 100th birthday. I am aware of the work they do, and I would like to congratulate them on their endeavour. I personally like my dad’s work, as the leading man, in Johny Mera Naam. I think this is because the character he played closely resembled his true personality. It was an ideal vehicle for him to showcase his histrionics, mannerisms, and his suave dressing sense. Jewel Thief was another such film with the trappings and the look of slick Western and European Cinema. Dad set fashion trends in many of his films – with his cap, high collars, scarves, jackets, and colourful attire. Even his hairstyles were being copied by his fans. Dad could have easily gone to Hollywood. In fact, an established Hollywood casting agency had even offered to represent him and had lined up several projects for him. But being a true Indian at heart, he decided to remain in his Motherland India. Time marches on, mindsets change, and trends evolve, however, with each new generation of moviegoers and aficionados, Dev Anand continues to remain an inspiration to the youth of India and the rest of the World. He was unanimously given – and continues to hold – the title of an evergreen romantic superstar. Not one to rest on his laurels, Dad continued to make exciting movies under his Navketan banner. As we celebrate Dad’s centennial, I’d like to say that Dad’s movies were decades ahead of their time. I sometimes feel we still haven’t caught up with them. I am sure the festival will be a big success and that contemporary audiences will rediscover the youthful magic of my Father – who will stay forever young on the silver screen. In the continuing legacy of Dev Anand and Navketan, I am currently making a Hollywood-based film, dedicated to my dad, called Vagator Mixer which will be released shortly worldwide. The show goes on."
This also marks the very first time a government body has collaborated with a not-for-profit organization for a film festival of such scale. To showcase the appeal of Dev Anand to a new generation and rekindle the nostalgia of those enthusiasts who have cherished his work, NFDC-NFAI embarked on an arduous journey of restoring the four classics of the charismatic actor in 4K resolution. The restoration of the films was undertaken as part of the National Film Heritage Mission and funded by the Ministry of Information and Broadcasting.
Prithul Kumar, Joint Secretary (Films) and Managing Director, NFDC states, "It is important for the public to witness Dev Anand on the big screen once again, and in a manner how he was viewed during his heydays decades ago. NFDC-NFAI is sparing no efforts to ensure these films are presented in the best way possible, as hundreds of restoration artists, technicians, graders, DOPs, sound engineers and archivists, spread across multiple cities, are hard at work to once again bring these films to life. Showcasing the restoration of Dev Anand’s films on the occasion of his centenary, as a joint endeavour between both film archives, NFDC-National Film Archive of India and Film Heritage Foundation, along with our esteemed partners, INOX and PVR, is a testament to our shared commitment to preserving India's cinematic heritage. We aspire to sustain these collaborative efforts, to provide broader public access to the gems of Indian Cinema, in the quality they are meant to be seen."
Also Read: Karan Johar remembers father Yash Johar dealing with issues during the making of Dostana on latter’s birth anniversary
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